Diamantes Y Pedernales book. Read 3 reviews from the world's largest community for readers. DIAMANTES Y PEDERNALES JOSE MARIA ARGUEDAS PDF - Diamantes y pedernales. Front Cover. José María Arguedas. Editorial Horizonte, - Short stories. Abstract. The present article has the purpose to make a re-reading of an important novel of Arguedas: Diamantes y pedernales, since the critic has had the.

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Analysis[ edit ] Antonio Cornejo Polar remarks that Yawar Fiesta rectifies several basic customs of the traditional indigenous novel.

At the same time, more than revealing the oppression and distress of the Indians, this novel seeks to underscore the power and dignity that the Quechua people have preserved in spite of the exploitation and contempt of white people. It is the story of the triumph of these people in their decision to preserve their cultural identity and aspects of their social organization.

Novelista y antroplogo peruano

The victory of the Ayllus against the central government authorities, landowners and "fortified" mestizos is a very unusual episode within the indigenous standard. From this it follows that Yawar Fiesta examines the possibility of understanding the Andean world, although internally conflicted, as a whole.

Opposing it, with all its contradictions, is the Westernized socio-cultural system of the Peruvian coast. In this way the constructing of a sequence begins with expansions and contrasts that will only end with 'El zorro de arriba y el zorro de abajo' The fox from above and the fox from below. Arguedas was well aware of the need for this process of contextualization: "we can only know the Indian people" he said, "the people that also know, with the same profundity as the people or social groups that have determined what the Indian is at the moment.

Cornejo Polar, , pp. By the time he published his first novel in , Yawar Fiesta "Blood Fest" , he had begun to explore the theme that would interest him for the rest of his career: the clash between Western "civilization" and the Indigenous"traditional" way of life.

Yet he also was conscious of the simplistic portrayal of the indigenous peoples in other "indigenista" literature and worked hard to give the Andean Indians a true voice in his works. This effort was not always successful as some critics contend that Arguedas portrayed Indian characters as too gentle and childlike. Many of his works also depicted the violence and exploitation of race relations in Peru's small rural towns and haciendas.

Arguedas was moderately optimistic about the possibility of a rapprochement between the forces of "tradition" and the forces of "modernity" until the s when he became more pessimistic. In his last unfinished work, El zorro de arriba y el zorro de abajo "The Fox From Up Above and the Fox From Down Below," , he abandoned the realism of his earlier works for a more postmodern approach.

This novel expressed his despair, caused by his fear that the "primitive" ways of the Indians could not survive the onslaught of modern technology and capitalism. At the same time that Arguedas was becoming more pessimistic about race relations in his country, younger Peruvian intellectuals became increasingly militant, often criticizing his work in harsh terms for his poetic, romanticized treatment of indigenous and rural life.

An instance of the debate that ensued can be seen in the famous Mesa redonda sobre Todas las Sangres Roundtable on All the Bloods of , in which Arguedas's penultimate novel was the object of blunt criticism from several social scientists at the Instituto de Estudios Peruanos.

Fiction[ edit ] - Agua.

DIAMANTES Y PEDERNALES.pdf - Chalena Vásquez

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It is also a pacifying object, a symbol of restoring order, as in the episode where Ernesto gives his zumbayllu to Anauco.

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